Original stove niches uncovered!

Stove niche in the Peale’s second floor large front gallery.

Architect Robert Carey Long, Sr. designed stove niches into Rembrandt Peale’s museum. They were plastered over later in the 20th century, but were still visible after the Peale’s 1930 renovations. In 2019, street artist Adam Stab did a live painting event as part of his solo exhibition at the Peale, creating a mural over one niche in the third floor “Assembly Room” while Ronald Rucker played his “Electronic Art.”

Adam Stab paints in the Peale’s third floor front gallery as Ronald Rucker plays his “Electronic Art.”

It was hard to say good-bye to Stab’s site specific work at the Peale, but as part of the current renovations, Peale’s original niches have been uncovered once more.

John Scarff, architect of the 1930 renovations, which saved the Peale from demolition, wrote of the niches:

Second floor front gallery in 1936, photo by E. H. Pickering, from the Historic American Buildings Survey at the Library of Congress.

The six stove niches throughout the museum are original and Rembrandt Peale’s account book at the Maryland Historical Society shows that he bought more than one stove for the building. The entirely new radiator enclosures in these niches were suggested by the original stoves in the entrance hall of the Octagon House in Washington, D.C., built in 1800 for John Tayloe.

– Historic American Building Survey (HABS 398-MD) Report by Laurie Ossman, Ph.D., 2001. 

Author: The Peale

The Peale is based in the first museum to be purpose-built in the United States, designed by architect Robert Cary Long Sr. and opened by artist Rembrandt Peale in 1814. It is a building of many firsts, and today in the creative spirit of its founder is relaunching as an innovative Center to celebrate the unique history of Baltimore, its people and their buildings through the authentic stories of the City. Currently under renovation, the Peale is open for occasional hardhat tours, and all of its programs are available online with live captioning and ASL interpretation.