Press Release: Founder’s Day Celebrations August 15-19

After 20 years of being mainly vacant, the Peale Center is back at the center of Baltimore culture!

Baltimore, MD (August 9, 2018) – The Peale Center for Baltimore History and Architecture hosts its Founder’s Day Celebrations from August 15-19, 2018, commemorating August 15, 1814 – the date that Rembrandt Peale first opened his Baltimore Museum to the public. The festivities include five days of both free and ticketed events including tours, talks, film, silhouette cutting, song, storytelling, poetry, garden parties, a makers’ market, food, drink and more at the museum’s location at 225 Holliday St. Baltimore, MD 21202

“We’re thrilled to be able to celebrate the Peale’s 204th birthday by sharing all of the new renovations that have been completed this year, and showcasing some of the diverse programming, storytelling, and artists we work with,” says Executive Director, Nancy Proctor.

As well as the festivities for Founder’s Day, the museum will also celebrate the completion of the exterior renovations of the building and the reopening of the historic garden, which has been replanted as a Pollinator Garden by local land artist, Ashley Kidner, with support from a BGE Green Grant and Morgan State University School of Architecture students working with the National Trust for Historic Preservation’s HOPE Crew program. Also, in the garden, visitors can now see period gas street lights and a gas-powered fire alarm pole, restored by Baltimore Foundry Works and volunteers from BGE’s engineering team.

Complete List of Founder’s Day Activities:

Wednesday, August 15

11am-12pm: Tours and talks on the restoration and recreation of the Peale’s historic gas lights inside the Peale and on its grounds, by BGE gas light engineers and historians.

12-1:30pm: Lunchtime talk about the renovation of the Peale’s Pollinator Garden by land artist, Ashley Kidner. Bring your brown bag lunch and join us under the magnolia tree!

6-7pm: Silhouette cutting by Lauren Muney. Discover the historic artform and its connection to the Peales from a contemporary practitioner. Take home a silhouette cut by hand!

8-9pm: A Cappella at the Peale. Enjoy a free a cappella gospel concert by Bleu Waters in what has been called the best acoustic space in Baltimore – Rembrandt Peale’s studio gallery. 

Thursday, August 16

11am-6pm: Tour the Peale and learn more about it as a venue for your exhibitions, performances, workshops, lectures, and events. Drop in or book a time to discuss your proposals. 

19:24pm (7:24pm): Illuminated (a Surrealist garden party) Why such a specific time? Join us and find out! Tickets are limited; get yours now!

Friday, August 17

12-1:30pm: Lunchtime storytelling with Nate Couser. Bring your brownbag lunch and join the host of the Artist Exchange Radio Show for a live recording of authentic Be Here: Baltimore stories of the city.

19:24pm (7:24pm): Illuminated (a Surrealist garden party) Why such a specific time? Join us and find out! Tickets are limited; get yours now!

Saturday, August 18

2-4pm: Before Hollywood: Philadelphia and the Birth of the Movies film screening and panel discussion with the director, Andrew Ferrett, Carrie Rickey (co-producer) and Nathaniel Popkin (author featured in the film). Watch the 1-hour film and learn about the role the Peales played in developing and popularizing early cinematic experiences.

19:24pm (7:24pm): Illuminated (a Surrealist garden party) Why such a specific time? Join us and find out! Tickets are limited; get yours now!

Sunday, August 19

9am-3pm: Makers’ Market. Take home the best of Baltimore with locally produced art and wearables.

6-8pm (doors open at 5:30 pm): Words, Wine & Wings “4” Poetry Show.

Hosted by award-winning Baltimore poet Cherrie Amour, this fourth show in the series features five diverse emerging and established poets from Baltimore and Baltimore-area who will share their works. The theme for this show is “freestyle.” Tickets: General admission: $10 / Admission, wings and wine: $18 (pre-pay only) For more info and to purchase tickets, go to www.cherrieamour.com and Eventbrite.

Media Contact: Cherrie Woods

(443) 248-1119/ info@eclecticpr.com

Volunteer opportunity Saturday 21 July!

The renovations of the Peale’s historic garden are complete. Now help us finish the planting of the Peale’s Pollinator Garden!

Saturday 21 July 9:30am-12:30pm RSVP

Join land artist Ashley Kidner and friends of the Peale to help turn our historic garden into an oasis for people and pollinators of all sorts.

Before
During…
After!

The renovation of the Peale’s historic garden and its gas lights has been made possible by support from BGE and the Baltimore Foundry Works, the hard work of the National Trust for Historic Preservation’s Hands On Preservation Experience (HOPE Crew) from Morgan State University’s School of Architecture, expert volunteers, and generous donors. Come enjoy their gifts!

HOPE Crew at the Peale

Students and mentors from Morgan State University School of Architecture in the HOPE Crew project at the Peale, June 25-July 13, 2018. L-R: Monique Robinson, Jamil Nelson, David Gibney (preservation contractor), Akiel Allen, Tiffany Dockins, Nathaniel Mitchell, Taylor Proctor, and Wendy McGee-Preti.

Over the past three weeks, thanks to the National Trust for Historic Preservation’s HOPE Crew (Hands-On Preservation Experience), an ambitious team of six architecture students from Morgan State University has been repointing and relaying brickwork in the Peale’s historic garden, repairing decorative ironwork, and repainting our 19th century gas streetlights. Read all about their great work and come enjoy a peaceful oasis in the heart of downtown Baltimore for free on Sundays.

July 10, 2018 Media Day for the HOPE Crew at the Peale

[envira-gallery id=”4045″]

The renovation of the Peale’s historic garden and its gas lights has been made possible by support from BGE and the Baltimore Foundry Works, the hard work of the National Trust for Historic Preservation’s Hands On Preservation Experience (HOPE Crew) from Morgan State University’s School of Architecture, expert volunteers, and generous donors. Come enjoy their gifts!

Press

2018 July 18, Diverse Issues in Higher Education, Morgan State Students Participate in Historical Restoration Program

2018 July 14, Baltimore Sun, Remembering Baltimore’s magical glow from gaslights on a summer night

2018 July 13, Washington Post, Project aims to help diversify architecture, historic preservation fields (repost from Baltimore Sun)

2018, July 11, Morgan State University News, Morgan State University Architecture Students Participate in National Preservation Training Pilot Program

2018 July 10, Baltimore Sun, Morgan project aims to help diversify architecture, historic preservation fields

BootPrints: Immersive Performance 30 June 6pm

An African American woman in a purple shirt sits in a chair in a dark room, speaking to the audience.Join us at the Peale on Saturday, June 30 at 6pm for the final live performance of BootPrints, including a staged reading with chorus and the immersive exhibition, followed by a conversation between the playwright, Latonia Valincia-Moss and Angela Carroll of BmoreArt Magazine. A vegan tasting is included in the ticket price, and drinks can be purchased additionally during the event.

Tickets are $15 in advance and $20 at the door.

See the Peale at the Jonestown Festival Sun 24 June 12-4pm!

This Sunday join the Peale at the Jonestown Festival, an outdoor extravaganza featuring circus acts, an escape artist, stilt walkers, face painters, and more in Baltimore’s oldest neighborhood.

Sunday, June 24th, 12 pm to 4pm 

Lloyd St between Lombard and Baltimore, B’nai Israel Synagogue

Visit the Peale’s table on Lloyd Street for butterfly puppet-making and storytelling activities inspired by our new pollinator garden!

“Standing Room Only” extended through July 1

“Standing Room Only,” the exhibition curated by Tiffany Jones of BootPrints, the play and film directed by Nate Couser, can now be seen at the Peale through July 1. At 6pm on Saturday, June 30, in addition to the exhibition, enjoy an Immersive Performance of the production including a staged reading with live chorus and conversation between the playwright, Latonia Valincia-Moss and Angela Carroll of BmoreArt Magazine. 

Tickets are $15 in advance/$20 at the door and include a vegan tasting. Drinks can be purchased additionally.

Self-guided visits to “Standing Room Only” are free and open to the public Thursdays, Fridays, and Saturdays 12-6pm and Sundays 10am-4pm. Advanced booking is recommended.

Bootprints: Standing Room Only at the Peale Museum is an Immersive Experience in Black Memory; review by Angela N. Carroll

Black Grandmothers: Labor, Lace, and Wide-Brimmed Hats

By Angela Carroll

“God specting womens to lay down and gurd up. Womens have to take boots on ‘deir chest and dress shoes, sneakers and cleats too. Women like carpet—all kinds of shoes gotta walk on womens.” – from Bootprints

Latonia Valencia’s dramatic play, Bootprints, is an unsettling but familiar narrative about death, family secrets, and the revelations of those who survive. Bootprints unpacks Black memory and the frustrations of younger generations who grapple with the histories, traditions, and secrets they have inherited.  The perpetuity of Black mourning, Black grandmothers, labor, lace and wide-brimmed hats. Silk and sore backs from working as housemaids, Gmama’s hands, Sunday mornings, all these memories come into focus when Gmama dies.  Her granddaughter Myeshia is left mourning her loss and remembering the impact of her grandmother on her life.

The play opens on Myeshia in conversation with her alternate personality Gingel as they determine what outfit to bury Gmama in.  Gmama had a vast collection of colorful suits and each marked a significant event in the women’s lives; miscarriages, molestation, wealth, abandonment, love, failed marriages, poverty. As Myeshia/Gingel and Gmama’s apparition sort through the suits, they share their memories aloud as epic choreopoems.  Like Ntzoke Shange’s timeless homage, For Colored Girls Who Have Considered Suicide When the Rainbow Is Enuf, Bootstraps uses color, fashion and domestic interiors as cues for the emotional and psychological states of its protagonists. The play honors and humanizes narratives about southern Black women.

Director Nate Couser and Curator Tiffany Jones reimagine the theatrical script as an immersive installation series, Bootprints Standing Room Only at the Peale Museum. The installations convert the second floor of the museum into surreal visualizations of Gmama and Myeshia/Gingels memories. Photographs, prints and collage works from Brianna Faulkner, Antonio McAfee, and I Henry Phillips are incorporated into and/or placed opposite the installations.

In all instances, Jones installations provide powerful imagery that enunciates key moments in the play and offer new perspectives about Black women’s lived experiences. Each installation tugs at the senses. Visitors can take lollipops or mints from any of the many candy dishes spread around the museum/Gmama’s house.  You may smell the sweet dense aroma of incense or the pungent funk of moth balls. You will hear the voice of Gmama, Myeshia and Gingel tell their own stories through looped audio projections. You will surely leave the experience inspired.

Read more…