Accessible Version of Kim Rice: Inheritance Catalogue Available for Download

 View of two magazine spreads side-by-side, showing a group of paper butterflies on the floor in a room in a historic home.

Hot Off the Digital Press!

Download the fully accessible Inheritance catalogue, exploring Kim Rice’s provocative 2021 exhibition at the Peale. A print version is coming soon too!

Curator’s Foreward:

Inheritance by Kim Rice was scheduled prior to the Covid-19 pandemic and the heinous murders of yet more Black people, some by police, including Ahmaud Arbery, George Floyd, and Breonna Taylor. In this pivotal historical moment, facing racial divides and the continuous discrimination against black and brown people in America, it is critical to amplify voices around the discussion of equal justice and de-investing in the police in order to invest in real social change in marginalized communities. For years we have seen examples of activism through artwork, but rarely from white artists specifically informed by their privilege as white people. In this exhibit, Rice does not try to tell a story unrelated to her personal experience; instead, she confronts racism by examining the roots of the many opportunities awarded to her.

In her research, Rice discovered documents including the will of her ancestor, William Venable, which identified hundreds of enslaved humans as property. In “Family Values 2,” the Last Will and Testament of William Venable cast a shadow on the wall, as racism and slavery have cast a shadow across generations of United States Americans. Rice’s skin represents a legacy of generational wealth built upon the disenfranchisement of others, as does all “white” skin. From “Naturalization Act of 1790” to works about redlining in the 20th century, Rice lays bare the systems that have been designed to keep white privilege strong.

See Individual Works  | Take a Virtual Tour

New Book on Accessibility!

A screenshot of the Redefine/Able book cover and the Blurb publishing logo in a blue square.

Hot Off the Presses: RedefineABLE Catalogue

The Peale is excited to announce the publication of a brand new book with a focus on accessibility! Redefine/ABLE: Challenging Inaccessibility aims to inform audiences about disability issues, to share the challenges and success stories of those with disabilities, and to identify ways we can create more accessible, inclusive spaces.

This catalogue includes content from the Redefine/ABLE exhibition as well as disability-related essays from project collaborators. It is available in two formats: as a free digital download and as a pay-for-print version via Blurb.com.


> Order a hard-copy book from Blurb.com (92 pages, retail cost $41.87)

> Download a free digital copy


This project was made possible in part by a grant from Maryland Humanities, through support from the National Endowment for the Humanities, the Maryland Historic Trust in the Maryland Department of Planning, and the Maryland Department of Labor. This project was also made possible in part by an Institute of Museum and Library Services grant and received financial support from the U.K. Research and Innovation’s Arts and Humanities Research Council and the UMD Friedgen Family Design Fund. Any views, findings, conclusions, or recommendations expressed in this document do not necessarily represent these funding organizations and entities.

A decorative graphic with a quote in white type that reads, I learned to deal well with adversity, and from my disability, I became mentally strong. I know a special experience. It's like a Silence world, and it gives me the ability of concentration. --Yoshi Nakaruma, artist

Essays include:

An Exhibition Redefined by a Pandemic
DR. AUDRA BUCK-COLEMAN

Redefining Redefine/ABLE: From Access to Inclusion at the Peale
DR. NANCY PROCTOR

Listen Very Carefully
RUTH LOZNER

Please Do Touch the Art!
DR. CHERYL FOGLE-HATCH

Technology, Covid-19, and Accessibility: Challenges and Opportunities for Museums
KEVIN BACON & DR. LARA PERRY

The Interconnectedness of Covid-19 to Discrimination Against the Disabled
DRS. AUDRA BUCK-COLEMAN & CHERYL FOGLE HATCH

Bearing witness to the ableism embedded within the pandemic
DR. AUDRA BUCK-COLEMAN, DR. CHERYL FOGLE-HATCH, & ROBIN MARQUIS

Redefine/ABLE: A Moment or a Movement?
DR. NALIYAH KAYA

Five Accessibility and Inclusion Insights from Producing an Exhibition During Covid-19
DRS. AUDRA BUCK-COLEMAN, NALIYAH KAYA, & CHERYL FOGLE HATCH

The logo for the RedefineABLE exhibition.

The Day After The Day After The One Year Anniversary Of George Floyd’s Death After That Day…

REJOICE in the SUNLIGHT!
DANCE in the RAIN!
BE APPRECIATIVE FOR
WHAT YOU HAVE GAINED.

A rabid Soul
Tortured & Sickly,
STRIKES OUT
And can change human lives
Into victims so quickly.

How many mass shootings
Since Columbine?
Who do victims & perpetrators
Belong to? Are they
Yours or are they Mine?

How many brutal racist slayings
Since Emmett Till?
Are we born to kill &
Taught to LOVE?
OR ARE WE BORN TO LOVE
& TAUGHT TO KILL?

Are we born greedy
And taught to share?
Are we born thoughtless
And taught to care?

The Philosophers,
The Preachers,
The Politicians,
The Commentators &
The Teachers do not
Have a clue.
They do not know what to do.

Democracy in bed with Slavery!
Hegemony in bed with Democracy!
Democracy in bed with Hypocrisy!
The Doomsday Clock is ticking
REVELATIONS is Predicting.
The Empire will expire.

“O My LORD!
The World saw what we did
To GEORGE FLOYD.

O My LORD!
The World saw what we did
To GEORGE FLOYD.

Sometimes it causes me
to tremble, tremble, tremble.
O My LORD!
The World saw what we did
To GEORGE FLOYD.”

“Don’t have to watch
The News
‘Cause I was born with
The Blues.

No matter which
way I go
I run into Jim Crow.
Yes! Yes! Yes!”

– Linda Goss
Copyright c 2021 by Linda Goss

Stay tuned to hear Mama Linda read this poem in her Chapbook Series in June 2021!

A Tribute to George Floyd

Today, and every day, we honor George Floyd. A loved one whose life was so much bigger than the oppression that killed him. We send our condolences to his family as they continue to grieve his unjust murder.

Here are some tributes from the Peale team and friends:

Mama Linda’s Chapbook: Blues Lamentation for George Perry Floyd, A Poem and Interview
Recorded in the immediate wake of George Floyd’s killing, Mama Linda performs a song she wrote about Floyd and the “rallying cry that was hurled all over this world.” In a companion interview with Baltimore fillmmaker Myles Banks, Mama Linda also reflects on her own history and the hardships of life in 2020.

Artist Loring Cornish sits out the window of Fells Point studio. Photo by Daisy Brown.
Photo by Daisy Brown, 2020.

“Stoop Shoots” by Daisy Brown, Episode 2 with Loring Cornish
The Peale’s storytelling ambassador Daisy Brown talks about her friend Loring Cornish, a Baltimore artist who spoke out about the injustice of George Floyd’s murder last May by displaying a series of poignant paintings outside his studio.

Blues/Lamentations for George Perry Floyd, Oct 14, 1973-May 25, 2020

From Mama Linda’s Chapbook, 29 June 2020

O MY LORD!
Did you see what
They did to George Floyd?

O MY LORD!
Did you see what
They did to George Floyd?
They put pressure on his neck
With their knee
Poor George went on to Calvary.

O MY LORD!
Did you see what
They did to George Floyd?

PAIN & TRAUMA!!!
George called for his
Angel Mama.

PAIN & TRAUMA!!!
George called for his
Angel Mama.
She opened up her arms
“No more hurt! No more harm.”

O MY LORD!
Did you see what
They did to George Floyd?

People came together & marched.
They shouted & they torched.

People came together & marched.
They shouted & they torched.

“NO JUSTICE! NO PEACE!
STOP THE SYSTEM OF
RACIST POLICE.”

O MY LORD!
Did you see what
They did to George Floyd?

They rallying cry was hurled
All over the world.

The rallying cry was hurled
All over this world.
Thousands gathered in
Cities & towns,
And some statues
Came tumbling down.

O MY LORD!
Did you see what
They did to George Floyd?

SOMEHOW! SOMEWAY!
WE SHALL OVERCOME SOMEDAY?

SOMEHOW! SOMEWAY!
WE SHALL OVERCOME SOMEDAY?
A change has got to come
From the heart,
Or this country will fall apart.

O MY LORD!
Did you see what
They did to George Floyd?

– Mama Linda
Copyright 2020 by Linda Goss

> Find a complete interview with Mama Linda about the creation of this poem

Jeffrey Kent’s Black Lives Matter paintings on the front of the Peale

On June 7, 2020, Baltimore-based artist Jeffrey Kent, along with friends and family, installed his latest work on the front of the Peale building: two large Black Lives Matter banners. Jeffrey’s artwork is conceptual, informed by the historical and the personal, inextricably linked. His passionate investigation of issues related to the political and economic foundations of freedom and the role of responsible citizenship is the thread connecting all of Kent’s collections. We now find this same thread connecting different communities and peoples in this nation, all with the same call, simply: Black. Lives. Matter.

The artists Chris Wilson (left) and Jeffrey Kent (right) with one of Kent’s “Black Lives Matters” paintings at the Peale.
A white man holds a ladder for a black man who is installing a large "Black Lives Matter" painting on a boarded up window.
Titus Bicknell holds the ladder for the artist Jeffrey Kent as he installs one of his “Black Lives Matters” paintings at the Peale.

Artist’s Statement

> Listen to Jeffrey talk about his work in an interview by Noreen Smith

These paintings are originally painted to simply express the message, “Black Lives Matters.” After beginning the paintings, it became much more. Initially important was that I used materials that would withstand external exposure. Exterior paint in tar black applied to a painter’s drop cloth heavily enough to drench the fabric so that the black bled through to the back of the fabric provides the foundation of the artworks. The metaphor of a black foundation, as the United States was founded on the backs of enslaved and freed black labor and intellect, continues through to the starkly white letters almost floated on top of the black canvas, applied from the tube. The white letters float above and are supported by the black foundation: a reminder that anti-racism work impacts us all, and whose souls are at stake.

–Jeffrey Kent

We are listening.

The Peale is a home for Baltimore stories and aims to be a safe space for the voices of the city’s diverse communities to be heard. As the Reverend Doctor Martin Luther King, Jr. said, “a riot is the voices of the unheard.” It is the Peale’s mission to listen to and amplify the voices of the unheard, so that Baltimore’s soundtrack is inclusive and represents the city’s full diversity.

In this time of pandemic we are temporarily unable to serve as a physical platform for sharing Baltimore’s stories, but we continue to help the city’s storytellers be heard online and across the digital divide as well. Today – and every day – if you have an authentic Baltimore story to tell, we are here to help you share it. You can record your story and hear others’ via our iPhone app, website and Storytelling Hotline: 1-833-TEL-STRY (833-835-7879).

Our staff photographer and storytelling ambassador, Daisy Brown, is recording the voices and portraits of people she encounters around Baltimore during the pandemic; if you see her out and about in your community, she’d love to hear from you. You can also share your story, and we’d love to hear your thoughts on how we can help amplify Baltimore’s voices right now.