Accessible Version of Kim Rice: Inheritance Catalogue Available for Download

 View of two magazine spreads side-by-side, showing a group of paper butterflies on the floor in a room in a historic home.

Hot Off the Digital Press!

Download the fully accessible Inheritance catalogue, exploring Kim Rice’s provocative 2021 exhibition at the Peale. A print version is coming soon too!

Curator’s Foreward:

Inheritance by Kim Rice was scheduled prior to the Covid-19 pandemic and the heinous murders of yet more Black people, some by police, including Ahmaud Arbery, George Floyd, and Breonna Taylor. In this pivotal historical moment, facing racial divides and the continuous discrimination against black and brown people in America, it is critical to amplify voices around the discussion of equal justice and de-investing in the police in order to invest in real social change in marginalized communities. For years we have seen examples of activism through artwork, but rarely from white artists specifically informed by their privilege as white people. In this exhibit, Rice does not try to tell a story unrelated to her personal experience; instead, she confronts racism by examining the roots of the many opportunities awarded to her.

In her research, Rice discovered documents including the will of her ancestor, William Venable, which identified hundreds of enslaved humans as property. In “Family Values 2,” the Last Will and Testament of William Venable cast a shadow on the wall, as racism and slavery have cast a shadow across generations of United States Americans. Rice’s skin represents a legacy of generational wealth built upon the disenfranchisement of others, as does all “white” skin. From “Naturalization Act of 1790” to works about redlining in the 20th century, Rice lays bare the systems that have been designed to keep white privilege strong.

See Individual Works  | Take a Virtual Tour

Visit the Virtual Peale ANYTIME in Second Life

Video about the Peale in Second Life by NovataSecondLife.

NOW OPEN! Visit the Virtual Peale Anytime!

The newest incarnation of the historic Peale Museum building opens on its 206th birthday as a full 3-D virtual space in Second Life, hosting exhibitions, events, programs, and casual visits!

You can now check out the building anytime!

New to Second Life?

  1. Install the Second Life viewer to participate in the tour in Second Life.
  2. Set up your free account from the Virtual Ability website and get logged in! (Picking an avatar is the fun part!)
  3. Learn some essential skills for moving around and interacting with the environment on the New Resident Orientation Course.

If you are joining us in Second Life, Peale Museum Island will be open to visitors starting at 11:00am ET at this link.

If you need assistance setting up your Second Life account or Avatar, please contact our friends at Virtual Ability here.


 

Call for Entries- No Walls, No Bans, No Border

CALL FOR ENTRIES: Exhibition applications are due March 31! Submit here: https://www.rebellensbmore.org/entries

The exhibition will be held May 9-June 2, 2019.

“No Walls, No Bans, No Borders” is a benefit photography and art exhibit featuring the work of Baltimore-based activists connecting ideas of the violence of capitalism, colonialism, and the racist/fascist state both locally here in Baltimore and globally. A portion of artist’s sales will go back to the groups doing the work on the ground.

This is a call to activists for their photo and video documentation of movements they are a part of, along with art made made in response to those issues and movements. Submit your entries online at: https://www.rebellensbmore.org/entries. Artists may submit up to three available artworks for inclusion in the exhibition.

The theme focuses on the work being done to dismantle walls/bans/borders of oppression, whether through physical state walls, walls of a prison, walls of stigma, or institutional walls. The goal is to tell the story through the eyes of those on the ground doing the work.

The event is being curated by Rebel Lens Bmore – a group of on-the-ground activists using photo and video to document social movements in Baltimore – in collaboration with a number of other great artists in Baltimore.

For more information about Rebel Lens, or to submit works for the Benefit Exhibition, please visit rebellensbmore.org.

Questions? Contact us at rebellensbmore@gmail.com.

“Moving Walls” reviewed by thINKing DANCE

Moving Bodies, Embodied Walls

by Andrew Sargus Klein

In a room damp with early summer humidity, the soloist’s slow pace approached a breaking point. Prone in the center of the floor, all torso, mantis-like, isolated limbs slowly unfolded, reached, paused. No air circulation, no score, a thin sheen of sweat over everyone, save for the soloist who captivated the audience as first one limb, then two, then all left the ground in a suspended geometry.

We were watching a kinetic sculpture compiled of wood slats, a piece of bannister, some pocket shutter, a chair leg, shoe molding, several varieties of hinge, and eye hooks. The creation was manipulated by two sets of hands holding black cord that ran through squeaking pulleys and connected to the eye hooks.

It was part sculpture, part puppet, part voice—the wood and metal breathed as if it were its own body. It transformed static materials beyond the mere connectibility of their individual parts, and it was a near-perfect culimination of a performance focused on the “human experience in relation to architecture” which questioned “concepts of stability.”

Moving Walls, set in the first two floors of the Peale Center for Baltimore History and Architecture, was a collaborative and site-specific effort in the truest sense of those terms. Five artists came together in an almost year-long generative process: Sidney Pink (movement), Noa    Heyne (filmography and sculpture), Sarah Smith (movement), Matthew Williams (movement), and Khristian Weeks (score).

Read more…

Moving Walls performances begin this Saturday!

Moving Walls is an experimental dance piece that examines human experience in relation to architecture. Combining movement with sculpture, animation, and sound, the piece is a collaborative project that questions our concepts of stability. With wheels, ropes, pulleys, hooks, and hinges, three performers construct and deconstruct the space around them. In turn, they are influenced by their shifting surroundings.

Performances are Saturday April 28, 8pm; Sunday April 29, 7pm; Thursday May 3, 8pm; and Saturday May 5, 8pm. Get tickets here for the dance performances.

Exhibition open April 14–May 5. Self-guided visits are free with timed entry until closing on Thursdays, Fridays, and Saturdays from 12-6pm, and Sundays from 10-4pm. Book your visit here.