“Today really is the pits.” That was the clever subject line of an email chain last week between Peale board member William “Chick” Chickering and Jackson Gilman-Forlini, City of Baltimore Historic Preservation Officer, about the digging of the Peale’s elevator pit. Renovation work continued last week as the team exposed original brickwork and early 19th c. joists. Areas for the cafe and elevator shaft have also been laid out in the building.
According to Gliman-Forlini, the interior walls, particularly around the foundation, “are all original to the best of anyone’s knowledge. There’s no record of these having been replaced at any time.” Also original to Rembrandt Peale’s building are the stove niches on the second and third floors, which have now been uncovered.
On the other hand, “the façade was replaced in 1930 with salvaged brick from an 1830s townhouse on the corner of Saratoga and St. Paul that was selected because it closely matched the color, size, and texture of the original façade brick. The exterior wall along Watchhouse Alley was also replaced in 1905,” most likely with new brick at that time. Other features, like the brick wall that bisects the “East Wing” first floor was added in 1930. The flag stone pavers in the current garden date to that era as well. Gilman-Forlini notes that they “originally served as the pre-1930 toilet partitions!”
Over the last few weeks, the Peale’s renovation team has made some intriguing discoveries as they removed a 20th-century ceiling. The image above shows straight cut marks on the room’s wooden joists, indicating that this joist was cut by a “sash-style” sawmill, and therefore, is as least as old as the 1830 conversion of the building into City Hall.






On June 7, 2020, Baltimore-based artist Jeffrey Kent, along with friends and family, installed his latest work on the front of the Peale building: two large Black Lives Matter banners. Jeffrey’s artwork is conceptual, informed by the historical and the personal, inextricably linked. His passionate investigation of issues related to the political and economic foundations of freedom and the role of responsible citizenship is the thread connecting all of Kent’s collections. We now find this same thread connecting different communities and peoples in this nation, all with the same call, simply: Black. Lives. Matter.
